A post I came across from the InDnegev festival: 25 years ago, Berry Sakharof's The Other was released, a special and different album, demanding and sometimes gloomy, released into a difficult and chaotic national atmosphere - terrorist attacks, exploding buses, and the Second Intifada. Out of this chaos and difficulty, a glimmer of hope emerged from Sakharof's work through a gaze "towards the Other", inspired by the writings of the Jewish-French philosopher Emmanuel Levinas and the ethics he developed, based on a direct encounter with "the face of the Other". At times, this moral imperative is stated explicitly, at other moments in the album, it and its implications are implied and illustrated as an alternative to how 'Israeliness' deals with the complex reality.
The Other is a timeless work rooted in a very, very specific time, and it seems that even today the materials created a quarter of a century ago still resonate and are incredibly relevant to this current, confusing, and harsh period.
The decision we made to keep InDnegev in Mitzpe Gvulot and in the Gaza Envelope, taking part in the area's renewed flourishing, was quick and very clear, back in the dark days of October 2023.
And yet, throughout this whole period, we've grappled with the value of this decision and what it means: what is the message and meaning of our existential need to be here in this space, what we're able to do, and what our role is in this moment and in this time.
The Other holds within it many of the answers to the questions that occupied us during this period (and a few new ones...)
Engaging in creative work in a period of chaos, confusion, and pain, speaking and writing honestly and directly about reality as we experience and understand it, and constantly trying to direct an open and loving gaze at and about the other, not out of fear and terror, but out of the desire to discover the humanity in him and in us.
InDnegev strives to be an open and enabling space, capable of containing complexities and imagining the reality in which we would like to live. This year we have chosen to mark and to highlight this work as a central theme that will guide the festival, both internally and externally, and many of the artworks at the festival will focus on the Other.
We invite you to dive into this incredible work again, which even from the distance of time still sounds amazing, and to join us in the rebuilding of InDnegev, this year in its full format again.
I was only familiar with Monsoon, the only single from The Other, so I heard the album for the first time, and wow, it really blew me away. It was just what I needed to hear. Here is the complete album, with the help of translations from LyricsTranslate:
Movie
Day, day and night
You're in a different movie
Monsoon
We'll burn time, we'll burn, burn / Everything that's between us
Let the moment pass / The past is still ahead of us
Just as I came, I left / It's all dreams
And maybe I wasn't there to love
I must have forgotten / Maybe I went far
I can't love you from up close
The thirst for love / And a hunger that lasts
And there is a lily and there is a thorn in it / And a small scratch in the heart
Just as you came to me you left me / It's all dreams
And maybe you weren't there to love
I must have been forgotten / You went far
It must be like that in dreams
Trembling
The house is trembling over me
Wind from the sea, fire on the mountain
Crooked and disjointed
Here it begins, here it ends
Everyone is on their feet
Half a pill, half erased
Time is split in two
The clock ticks backwards
And I see double
A black and white light of illusions
The house is trembling over me, swaying side to side
And it seems that in the meantime
The Messiah is waiting for an invitation
On the cellphone, in the bizarre
In a dream and in hope
The house is trembling over me
A crack is bleeding from the ceiling
The fear in the eyes
And the heart, the heart is in a suitcase
Smoke on the water
The sun is gray, the light is blocked
The noise in the ears
The sweat that sticks to the body
And I see double...
Dust on the Shoes
It's so nice to just walk / As if we were never here
In light steps on the sidewalk / Let the streets clean you
There is a bustle all around / Like bees when springtime arrives
Sometimes it seems we are not alone / Or I am you, we are everyone
We are everyone
There are those who hide their horns / And others who have glued wings to themselves
Walking to the beat, everyone on their feet / Left right, right and left, dust on the shoes
There is a bustle all around / Like bees when springtime arrives
Sometimes it seems we are not alone / Or I am you, we are everyone
We are everyone
Madness Again
Madness again / Drilling in my head
From the closet / The demon escapes
Just like that, suddenly / The rope broke
In an ancient fervor / The dam was breached
Someone said (these are) the birth pangs of the Messiah/ Today it burns (but tomorrow) tomorrow it will grow
What is hidden from you promises / That the answer my friend is blowing in the wind
No solution / is certain
The horizon is close / The wound is open
Again the dream / Is caught in the net
And into the imagination / Reality invades
Someone said..
Seeing but Not Seeing
And these are the days / nights of canned goods / eyes up and down and sideways / seeing but not seeing / so little is necessary / so much is needed / moving moving moving / lost in relationships / and the love boat / shows only reruns / on those days / the heart is locked up / converting the pain into the pain of others / the heart is locked up / they go and sing / an anthem to indifference / a voice still in the heart gets lost / seeing but not seeing / in a sea of holes / the whole is always greater than the sum of parts / mine is his is yours / yours is not mine / it doesn't matter / you and I, they've said it before / it doesn't matter / just a tool
"I'm not a singer, I'm a father who sings. I never intended to be a singer or to sing. I was kidnapped, they took everything from me. I woke up there in a hospital with a bandaged hand that didn't respond, a leg in a cast, handcuffed to a bed, they even took my earring. What they didn't take, simply because they didn't know, was the real strength from within. It helped me maintain hope, health, and sanity. Music was there for me in the most difficult moments: songs by others that played in my head. After a few months in captivity, I found myself starting to create songs. I couldn't write them; I memorized the words in my head. I couldn't play or sing them, so I just imagined the melodies.
On February 15, 2025, I was released from captivity. After two days, at night, in a hospital (the right one), I went to a side room and, with a voice like a toad without oxygen, quietly, even with a little shame, I recorded all nine songs on my phone, lyrics and melody. A few weeks later, I decided that one day I would perform the songs in a show. That day was postponed due to medical matters, rehabilitation, family, Gaza, Iran, Lebanon, and mainly because I couldn't allow myself to perform like this when there were still hostages I left behind.
After a long journey, this day has arrived. Today the music will be released, first of all in a concert - and then the entire album will be released to the world. It is no coincidence that I am doing the first show here in Nir Oz, in my home. This is the same lawn on which I ran all my childhood, the lawn on which I met Mili for the first time, the lawn on which I raised two daughters, the lawn on which I fought, and the lawn where my friends fell. This is a lawn with a different green. This is the lawn on which there were happy events in the past; since then, mainly funerals. Today's event is not a celebration, not a party, not a closing of a circle, not a victory; it is simply part of the story. Even though I chose not to return to live in Nir Oz, the kibbutz is very important to me, and I hope it will be rebuilt with new life; I hope this event will be a cornerstone of its foundations. This is also your story. Thank you for coming."
These are the words written by Sagui Dekel-Chen from a booklet given to the 3,000 attendees at his show at Nir Oz last Monday, along with the lyrics to his songs. So much has been said about the show and how moving it was, but I want to share the words that Itay Mautner, the director of the show, shared last week in a post:
"For one evening, Kibbutz Nir Oz was full of life...
3,000 people filled the saddest lawn in the world. A lawn that knew a normal, pleasant, and beautiful life before that Saturday (and not only, of course), and since October 7th has simply lost signs of life. Make no mistake about it: Nir Oz has a present, and there is growth, and there are all sorts of beautiful words, but mourning prevails in everything; the horror is on the paths, and in general almost all of the residents have not returned.
On Monday evening, a member of the kibbutz, Sagui Dekel-Chen, took to an amazing stage with talented musicians and delicate screens and sang the songs he wrote in the tunnels.
The songs are moving and delicate and beautiful, but this evening was not only tested musically. Underneath the moving two and a quarter hours, there hid an undercurrent which was present throughout the way - it's simply unbelievable! It's unbelievable that he's alive, that his daughters and beloved Mili are with us, that his mother (who was also kidnapped and escaped from them) is there. And many more friends and supporters. A packed lawn, from heart to heart.
It's simply unfathomable, and throughout the show you are constantly reminded of this terrible/joyful fact.
I had the privilege of directing the show and working closely with Sagui and Mili. Throughout the entire process, I was careful not to turn this evening into another symbol of the government's false 'redemption', another moment of so-called unity.
It was a joyful evening that does not ignore the sadness. A colorful evening that sees all the black. An evening packed with people that sees the pit.
Thank you very much for the privilege of taking part in an evening like this. For the opportunity to create moments of catharsis in front of people who, for too long, have worked to achieve the obvious - to bring our sons and daughters home.
And it was a tremendous evening that showed that music knows how to enter the wounded heart and does a dazzling job of polishing it.
Thank you to the wonderful Sagui, Oren Arnan, the hero from Shuki Weiss, to Michal and Daphna and Uri from the Israel Festival who invited, accompanied, and supported me, to the many friends who came to be with us on the grass...
I won
Now there is only one important job to do at the end of October, and we are on the right track".
I was curious to hear Sagui's songs the moment I heard about the show, and I was eager to listen to the entire album, Minus One. Some moments brought tears to my eyes, but there were also many moments of joy, celebrating the precious, ordinary moments of life. Here they are, track by track:
Mazal Tov Sasha and Sapir! Sasha and Sapir were abducted from Kibbutz Nir Oz on October 7th while they were visiting Sasha's family. His mother Yelena, and his grandmother Irena Tati were also kidnapped, and his father, Vitaly, was murdered by Hamas terrorists. The three women were released after about 50 days, and Sasha was released in February 2025 and had to undergo extensive medical treatments due to untreated injuries to his legs, where he was shot by the terrorists.
It was so emotional to see the couple walk down the aisle and start their married life together. Under the chuppah, Sasha shared why they chose to walk down the aisle to this beautiful song by the Idan Raichel Project. He said that he was isolated in captivity and one day, at around day 50, when he was at his lowest, one of the guards had left behind a small radio. He was afraid to use it and would only listen to it for a few minutes at night and at the lowest volume, to try to understand what was going on. And then he heard this song, with the chillingly accurate lyrics calling out from the depths and he thought of Sapir. May they build a joyous home together with love, light, and laughter ♥
Out of the depths I called to you, come to me
When you return, the light will return to my eyes
Unfinished, your touch does not leave
May it come and shine at the sound of your laughter.
Out of the depths I called to you, come to me
Beneath the moon that lights your way back to me
They spread out and melted at the touch of your hands
A whisper in your ear asks
Who is calling you tonight? - Listen
Who sings to you - at your window?
Who devotes his soul so you will be happy?
Who puts his hand to building your home?
Who will place his very life beneath you?
Who will live like dust at your feet?
Who will love you more than all your lovers?
Who will save you from every evil spirit?
Out of the depths.
Out of the depths I called to you, come to me
Beneath the moon that lights your way back to me
They spread out and melted at the touch of your hands